The so-called, "Mau Mau compensation lawsuit" had led a
ghost-like existence since at least 1999 in the Kenyan and international press,
now and then re-materialising like a ghost-light over the large and bleak
swamps of history that hold the bones and the rotten flesh of tens of thousands
of victims on both sides of what was known as Manjeneti (the "Emergency").
Usually, folklore has it that ghosts and ancestral presences
grow weaker and weaker with time, until their sway and spell over the living
has faded. This one, however, has become an exception from the rule: on June
23rd, the well-publicised English law firm of Leigh Day & Co (first famous for
Kenyan compensation cases of true British explosives' victims, then notorious
for often false British soldiers' rape victims) will bring their claim to the
United Kingdom, to the Royal Courts of Justice (still widely known as the High
Court).
The team leader of this case, the barrister Daniel Leader,
has extensive experience of human rights activities and legal prowess. But the
case goes far beyond a mere legal request for compensation. It has been the
practice of Leigh Day to go for settlement over contentious adjudication in
previous comparable lawsuits, and this no doubt will be the primary aim here
too. But legal observers expect the monetary side to be only one of the aims
that this lawsuit carries. The plaintiffs, mostly in their 70s and 80s now,
have been disappointed and silenced for a long time. One may thus rightly
concede these wazees that the hope for "quick riches" is not their motivation
here, unlike the spurious rape cases which had severely damaged not only the
reputation of the law firm and of its senior partner Martyn Day - who was
accused of having become unduly gullible and increasingly reality-blind - but which
by association had also greatly hurt the standing and credibility of the many
bona fide victims of rape and sexual violence in Kenya.
No, what is maybe more important for the plaintiffs and
their local supporters (notably the Kenya Human Rights Commission( KHRC) ,
whose executive director Muthoni Wanyeki inherited this case from her
predecessors when she took office), are other aspects.
There is the strong moral aspect of a formal recognition and
apology for the misdeeds and human-rights violations of the colonial powers and
their African loyalists. This may not be easily appreciable for the sober
African historian who will contend that present mainstream scholarship has by
now fully recognised the civil-war character of the emergency, and the brutal
human rights violations on both sides, which we now see one by one repeated in
the deadly spiral of terror and counter-terror by Mungiki and vigilantes.
But what is true for academic scholarship, is not true for
Kenyan public perception, press and popularised lore; Tuf Mulokwa's excellent
graphic novel Komerera, the runaway bride from 2001 remains
almost the only attempt to pictorialise and to soberly render the moral
complexity of these bitter times. His modest yet differentiated comic book
still stands head and shoulder above many present writings.
In contrast, only a few of the contemporary witnesses have
withstood the temptation to glorify their deeds and especially their misdeeds,
and have instead striven to relate their history as it really was; notable for
their honesty are on the rebels' side Elijah Kinyua Ng'ang'a (General Bahati)
in his memoirs A Walk in the Fire as
rendered by Dunstan Magu Ngumo, and Kassam Gicimu Njogu, rendered by Peter
Thatiah; and David Lovatt Smith on the government (and white) side.
The African loyalists, however, and the many wananchi torn and
shredded between the milling stones, have not yet had their voice and their
remembrance asked for and heard. A single and solitary radiant laughter on the
first gallery of the National Archives -- the photo of a courageous young woman
fighter of a loyalist "pseudo gang" smiling at the photographer -- focuses and captivates the spirit of the
anti-rebel fighters, and she challenges historians to open their eyes and to
accept the fullness of history .
Another aspect is a procedural one. Though the lawyers can
hardly hope to get their claims through the courts, one main first step for
them would be to impugn the existing statute of limitations, lest the suit be
dismissed .
About the only viable way to do so, would be to demonstrate
that the many and often atrocious injustices and injuries suffered, were not
simply "rough means in rough times" as only a few surviving myopic colonial
apologists might still hold, but could constitute "crimes against humanity" in
the modern legal sense. Such a procedural recognition would doubtlessly already
be considered an important triumph.
Yet what Kenya needs, is not historical window-dressing nor
legal tourism; but historical understanding. This lawsuit, as it is presented
and intended, does nothing to further and to promote such understanding, nor to
support and encourage the - often painful and necessary soul-searching -query
for the truth that could set us free. It is, as it is done now, the very
opposite of "transitional justice. Whatever its outcome will be, it will have
squandered immense financial resources, in a blatant attempt to falsify and
forge history. But the time for hypocrisy is over: the victims of the emergency
on either side, both the dead and the surviving, deserve better.
Because, as Muthoni Wanyeki wrote: "our past can still kill
us". And it will continue to do so, until such sham lawsuits finally yield the
place for the recognition of historical truth.
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This piece was first published in the June 24 2009 edition of the Business Daily; it is republished here with permission.
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